But I haven’t been to the beach the way I had been able to in the past.” He and Edwards announced Asolo Rep’s next season in March.
He’s been getting a taste of what life will be like when he’s running the theater and directing shows, holding meetings in between rehearsals “and somehow getting work done. Rothstein was the founding artistic director of Theatre Latte Da in Minneapolis, which he ran since 1998. “Man of La Mancha” marks Rothstein’s third production for Asolo Rep after “Ragtime” and “Sweeney Todd.” But this one comes as he’s about to start his new position as producing artistic director at the Sarasota theater, succeeding Michael Donald Edwards, who is stepping down next month after 18 years. We’d have the same war and violence instead of acceptance and empathy, something that uplifts your spirit." New producing artistic director Change the title and it could be trans people, Black people, immigrants, Jewish.
“People thought Don Quixote was crazy, and it’s the same thing over and over. “People can identify as whatever they want, and other people are going to be against that,” Rodriguez said. ‘The Sarasota Experience’: WEDU documentary captures history of a communityĮven without the more contemporary setting, Rodriguez said the show clearly speaks to issues that are dominating the headlines today, such as racism, anti-semitism and laws aimed at limiting the rights of transgender people and performance opportunities for drag queens. To be willing to march into hell for a heavenly cause.”Ĭlassics and new works: See what's coming to Sarasota's Asolo Rep with its 2023-24 lineupĭancing at Royal Opera House: Sarasota Ballet to make international debut at Royal Ballet’s Ashton festival in London He sings of his quest “to follow that star, no matter how hopeless, no matter how far to fight for the right, without question or pause. He sees the world for what it could be more than how it is. We have to reach toward the big dreams.”ĭon Quixote works to right wrongs. We hope they are things our kids will achieve. We have to work toward things we know we won’t attain in our lifetimes, like world peace or global warming. If we find too much of the negative, it makes it more difficult, so we always try to be the glass half full.” Rediscovering ‘The Impossible Dream’Īs to “The Impossible Dream,” Rothstein said “the point of the song is the impossible, not the dream. Everyone has issues and if you spend too much time wallowing in the difficulties of life, then life seems to be less worth living. Some people err on the side of reality and some on fantasy or hope. We learned we have to find the balance in each individual life. I first read it in fourth or fifth grade.”ĭe Jesus said one of the struggles addressed in the show is “the difference of seeing life as it is versus what it could be or should be. Cervantes is like the Spaniard’s Shakespeare. Martinez, who grew up and began his career in Mexico before moving to the United States about six years ago, said the story is “part of our culture. In his defense, Cervantes recruits the other detainees to become characters in his story about a man who has spent so much time reading about knights and chivalrous deeds that he now imagines that he is one – Don Quixote de la Mancha, who is aided by his trusty servant Sancho.
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Theater, dance, music, art and more: 35-plus arts events to experience in May in Sarasota-Manatee areaīuilding for the future: Sarasota Orchestra closes deal on Fruitville Road site for new music center buildingįellow detainees want Cervantes’ possessions and stage a mock trial in which he faces made-up charges of being an idealist and a bad poet. (The original production set the story during the Spanish Inquisition.)Īrts Newsletter: Sign up to receive the latest news on the Sarasota area arts scene every Monday
In the musical, which closes the Asolo Rep season, Martinez plays the Spanish writer Miguel de Cervantes, who is being held at a modern-day prison or detention center with a friend and colleague. Once you’ve actually lived it, you realize why each word is there,” he said during a recent Zoom chat with director Peter Rothstein (the theater’s incoming producing artistic director) and fellow actors Aaron De Jesus as Sancho Panza and Janely Rodriguez as Aldonza. Mauricio Martinez has performed the anthem “The Impossible Dream” countless times over the years, but as he prepares to sing it again while playing the title role in Asolo Repertory Theatre’s “Man of La Mancha,” he realizes he will never sing in quite the same way.
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